Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Alevizos, Konstantinos | Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. |
diss. |
| | 2016 |
|
|
| 2. | Barton, Pamela Sage | Gender roles in the violin music of Bach. |
diss. |
| | 2016 |
iii, 26p |
|
| 3. | Guðmundsdóttir, Guðbjörg Hlín | Reanimating Bach: connecting visuals and musical interpretation. |
diss. |
| | 2016 |
42p |
|
| 4. | Lahan, Charles B. Jr. | Musical Mannerism: a Recurring Stylistic Phenomenon in Keyboard Variations by J. S. Bach, Beethoven, and Liszt. |
diss. |
| | 2016 |
vii, 115p |
|
| 5. | Markovska, Nadya | Bach's suites for solo cello (BWV 1007-1012) and the textual geographies of modernity. |
diss. |
| | 2016 |
275p |
|
| 6. | Mills, Ian | The historical position and reception of J. S. Bach's 'Great Eighteen' and Orgelbüchlein Choralvorspiele, 1750-1850. |
diss. |
| | 2016 |
|
|
| 7. | Szabó, Zoltán | Problematic Sources, Problematic Transmission: An Outline of the Edition History of the Solo Cello Suites by J. S. Bach. |
diss. |
| | 2016 |
272p |
|
| 8. | Wessel, Jens | J. S. Bach und die italienische Oper: Drammi per musica für das kurfürstlich-sächsische und polnische Königshaus zwischen 1733 und 1736. |
diss. |
| | 2016 |
v, 239p |
|